Naked Light claims to be a new image-editing application for Mac OS X promising non-destructive editing, node-based compositing, “infinite resolution”, live tools, and pro tools that work in photographer-friendly units like “stops”.

Introducing Naked light. Non-destructive image editing. Node-based compositing. Live filters. High-end tools. And infinite resolution. It’s image editing, re-invented.

“These were the absolute first years of journalistic photography,” says Cahan. He and his friend and collaborator Mark Jacob have just published a record of it, Chicago Under Glass: Early Photographs From the Chicago Daily News.

Matt Eich has been referred to as the future of photojournalism. His talent behind the camera exceeds the quality found among many professionals, and especially that of the 21-year-old’s peers.

As a girl growing up near San Diego, Carolyn Guild was into horses, not photography.

The alternative method I use for sharpening is the HIGH PASS FILTER method. This method provides good sharpening while minimizing image degradation. Here are the steps:

It was just a stripped-down basement under the Pussycat Theater in an alley off of Cherokee Avenue in Hollywood, but the Masque was a literal hothouse in which about a hundred punks briefly bloomed

It took many years before I understood the importance of registering my images with the U.S. Copyright Office.

NPPA member David Forest Nielsen, a photojournalist who nurtured family while eternalizing images of Sacramento Valley history, died on Monday, November 5.

Dave was the newspaper’s photo editor for a decade, taking pictures each worth more than 1,000 words. In many cases, the stories that ran with his photos were superfluous.

Ask ten photographers a question and get ten different answers. We asked a selection of EPUK members what they’d wish they’d known when they entered the industry.

In the this spot we talk with two folks connected to liveBooks, an editable website and online marketing service for photographers.

“He wore black shoes, black socks, black pants and a black T-shirt. His hair was snow white,” Kobre said. “He looked like one of his own high-contrast black and white photos.”

“I was in the camps with my wife and my girlfriend,” says the 93-year-old Holocaust survivor Jack Polak in Michèle Ohayon’s documentary “Steal a Pencil for Me.” “And believe me, it wasn’t easy.”